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1. #Advanced portrait retouching lisa carney full movie professional#
2. #Advanced portrait retouching lisa carney full movie mac#

And in fact, what I think you'll find is, let's say you're in step one or step two and then a few of the steps go over your head, let it go over your head, that's fine. So, I'm saying this is not a one-pass course, this is a course you're gonna wanna watch, come back to it another time, wanna watch it again. And I will tell you, I know this from personal experience, doing this for well over 25 years, I will sit with another retoucher and they'll be doing a process that I've been doing, they'll do it ever so slightly different and I'm like oh, my God, I never thought of that one little tweak and it can change your complete workflow.

We have bonus materials for this course and most of the courses I teach here at CreativeLive because I'd like you to be able to follow along and there's a lot of information, and I would certainly not expect any of y'all to get it in one round. It might even help you decide how you shoot, which I think is a really important point, so please pay attention in that eye view, if you will, to think about that. For photographers, whether you're doing the retouching or directing the retouching, again, this is a re.Īlly good course because it gives you some idea of what the process is, what the limitations are. Photographers, designers, art directors and creative directors, even if you're not the ones who have your hands actually in the pie, but you're directing the maker of the pie, I think this is a really good course to see how the process is done. My mom does retouching if she's needs to do retouching. Who's this for? Retouching, well, gosh, everyone can do retouching if you need to do retouching. Do you want A, do you want B, do you want C, or do you want D? With no judgment, so I just wanna start the course out letting you know that. During this class, I'm gonna say, look, here's a roadmap, here's some ways to go. So, portrait retouching is really, really, really, really subjective and there is no right answer, there's no one way, there's no right, there's no wrong, there's taste, so I'm gonna continually refer to that here.

#Advanced portrait retouching lisa carney full movie professional#

Optical Background BlurĮpisode 105: Aaron Hockley and Computational PhotographyĮpisode 103: Posing People with Lindsay AdlerĮpisode 101: Practicing Photography with Ben LongĮpisode 92: Sensors and Megapixels with Richard ButlerĮpisode 90: Bryan William Jones on How We SeeĮpisode 86: Jordan Drake on Shooting VideoĮpisode 85: Film Camera Love with Dan BracagliaĮpisode 84: Editing Shadows and HighlightsĮpisode 80: Street Photography with Valérie JardinĮpisode 79: Professional Retouching with Lisa CarneyĮpisode 76: Shooting and Developing Film with Angus HaywoodĮpisode 75: Creative Garden Photography with Harold DavisĮpisode 74: Michael Kenna and His New Book 'Buddha'Įpisode 73: Real Estate Photography with Rich BaumĮpisode 72: Night Skies with Glenn RandallĮpisode 70: One-Light Portraits with Sandra CoanĮpisode 69: What to Print, with Rick LePageĮpisode 68: Revisiting Geotagging with HoudahGeo 6.I wanna talk a little bit about what we're gonna cover here.

#Advanced portrait retouching lisa carney full movie mac#

And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more.ĭisclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.Įpisode 117: John Cornicello on Lens DistortionĮpisode 114: Bryan Jones on Why Color Doesn't ExistĮpisode 113: Do Photographers Need the Mac Studio?Įpisode 112: Dan Bracaglia on Rediscovering JoyĮpisode 111: The Glass App(roach) to PhotographyĮpisode 109: Joe McNally Is The Real DealĮpisode 107: Simulated vs.

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